The faders at the bottom of the interface let you control the amount of each type of delay and reverb in your track. However, a larger amount creates strange pitch shifts and disorienting effects. A small amount of modulation in both reverb and delay creates space. You could use this feature to make gated reverb sounds for snare, for example.Įach effect in the plugin has a Modulation parameter, which adds movement to the plugin’s output. The first three are the traditional types, whereas the Space type sounds like digital reverb and has a Depth control, which lets you trim the reverb before its defined length. The four types include Plate, Room, Hall, and Space. The reverb effects in this plugin use emulations and distinctive EQ curves to create different sounds. And finally, the Crowd delay generates increasingly longer delays to create a pleasing effect. The Slap delay is used for getting one short feedback similar to what you get in alleyways. Next, the Throw delay is like Tape delay, but you get to trigger the delay manually. The Tape delay is a rich and warm effect, which emulates the signature sound of tape machines. The plugin has four delays, each with its unique style: Tape, Throw, Slap, and Crowd delay. Let’s have a closer look at the plugin’s various features to get more familiar with it. Likewise, you can combine all the available four delays and reverbs in one instance of this plugin to get the notorious sound of the mix engineer. The result is a plugin with Chris Lord-Alge’s go-to delay and reverb settings, which he uses in various combinations in each of his mixes. The CLA plugin aims to capture the spacious feel by emulating the reverbs and delays the mix engineer uses, based on his favorite studio gear. We all know who he is and how his spacious mixes sound. The name of this plugin comes from the legendary engineer Chris Lord-Alge (U2, Bruce Springsteen, Joe Cocker). The plugin also comes with a separate metering plugin, which “communicates” with the main plugin on any track, displaying in/out peaks and gain reduction. The sound is distinct and familiar to anyone who’s listened to albums like the renowned Dark Side of the Moon. This plugin serves as an all-in-one mastering bundle for people who enjoy working with hardware units. It comes in VST 2/3, AU, AAX, and RTAS formats.
WAVES 9 PLUGINS FOR WINDOWS 10
Similarly, the Limit type is based on the original hardware but has a much harder knee.Ībbey Road TG Mastering Chain is available for Windows 10 or higher and macOS 10.13.6 or higher, both 64-bit only. The Original is an emulation of the unit’s Zener diode-based limiter, whereas the Modern is a more transparent processor designed by Waves and Abbey Road. For example, the limiter module has three compressor/limiter types: Original, Modern, and Limit.
So, for instance, from a single instance of the plugin, you can EQ the mid and side signal individually, filter each stereo channel separately, and use stereo mode for limiting.Įach module in the plugin focuses on retaining the characters of the original EMI hardware. As you might have guessed, ST is stereo, DUO is dual mono, and MS is mid/side mode. In general, you should stick with the non-live components.Ībove every module are three switches labeled ST, DUO, and MS. In addition, if you are using the non-live components, the filters will process in linear phase mode to create little to no artifact on your audio.
The cut-off/pass filters have a fixed slope of 48 dB per octave.
The filter module has a high-pass, low-pass, and broad peak filter. For example, in many cases, the input module may be of little use. Similarly, you can enable or disable each module, which can help save CPU usage over time. However, if you are using it for mastering, we suggest keeping the limiter module at the end of the signal chain. The modules in the plugin can be placed in any order you like. The live components are latency-free, whereas the non-live components have linear-phase and oversampling. Similarly, the limiter has three options for its dynamic processing, ranging from soft compression to hard limiting.įurthermore, like all Waves products, it comes in four components: mono/stereo live and non-live. The tone module is a four-band EQ with five pre-selected frequencies and filter shapes. The screenshot below shows the five modules: an input module, a tone control, a limiter, a filter, and an output module. There are five stages in the plugin the audio passes through.
You can use it in any stage of music production to give it the console’s transistor-based sound. The name TG Mastering Chain comes from the EMI TG12410 Transfer Console it emulates. This plugin is an emulation of a well-known console employed in every Abbey Road Studios’ mastering process from the early 70s and even today.
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